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If the boundary between mask and subject isn t well defined, dragging with this tool adds opacity to the subject and removes it from the mask In other words, it turns soft, feathery edges into crisp, clearly defined edges Again, you can press the number keys to adjust the impact of the tool n Raise the Smooth value to remove stray pixels from the mask A high value smoothes out the edges around the image and fills in holes Basically, if your edges are a big mess, give this option a try n Drag with the Edge Highlighter or Eraser Tool to edit the mask boundary When you select either tool, the original mask highlight reappears, and the tools work as they do when you initially draw the highlight After you adjust the highlight, Shift-click inside it to redraw and preview the adjusted mask.

When multiple photos are open in Photoshop, you can be arrange them inside the workspace several different ways. By default each image is opened in Tab mode, which means that the photos are stacked on top of one another with only the current image visible. Individual images are brought to the front of the stack by clicking their tabs. This is convenient when you want to focus on a speci c image, but it makes it dif cult when you want to compare images or transfer information between images. An individual image can be completely removed from the tab by clicking and dragging it by its header bar. If you want view all les at once, use the Arrange Documents menu, shown in Figure 5.12. This menu is accessed using the Arrange Documents button on the Applications bar. The Arrange Documents menu lists several buttons that represent different con gurations. These con gurations are called n-up, with n representing the number of images to be displayed. 2-up refers to two images and 5-up refers to ve images. Only buttons that correspond to the number of open images are available. For example, if three images are open, all con gurations higher than 3-up are grayed

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n Choose an option from the Show pop-up menu to toggle between the original highlight and the extracted image preview You can press X to toggle between the two views without bothering with the pop-up menu That s 99 percent of what you need to know about the Extract command For those of you who care to learn the other 1 percent, here s a quick rundown of the remaining options that appear along the right side of the Extract dialog box: n Highlight, Fill: Use these pop-up menus to change the highlighter and fill colors It doesn t matter what colors you use, as long as they show up well against the image n Textured Image: If your image is highly textured, try selecting this option Much like the Smooth option, it helps smooth out jagged edges around the image.

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n Channel: Advanced users may prefer to prepare the highlighter work by tracing around the image inside an independent mask channel, which you can create in the Channels palette before choosing the Extract command Then load the mask by selecting it from the Channel pop-up menu You can further modify the highlight using the Edge Highlighter and Eraser tools One weirdness: When loading a mask, black in the mask channel represents the highlighted area and white represents the non-highlighted area Strikes me as upside-down, but that s how it goes n Force Foreground: If the subject of your image is predominantly a single color, select Force Foreground and use the Eyedropper to sample the color in the image that you want to preserve (Alternatively, you can define the color using the Color swatch, but it s much more work.

) Then use the Edge Highlighter tool to paint over all occurrences of the fore-.

Imagine a new edict has come down from the HTML gurus of your company: No longer is the <b> tag to be used to indicate emphasis; from now on, use only the <strong> tag. Oh, and by the way, change all the existing pages all 3,000+ Web and intranet pages so that they re compliant. Dreamweaver makes short work out of nightmare situations such as this by giving you the power to search and replace HTML tags and their attributes.

To select the DSN from a list of available ones on the testing server, click the DSN button. Dreamweaver attempts to connect to the testing server and retrieve a list of assigned DSNs. If your DSN is available, select it from the list.

(where y stands for a Hermite shape function defined in the reference domain K t ) . Consider a grid vertex z, along with the vertex patch (4.14) of all elements adjacent to z,,

with { R, R,, R z y} defined accordingly,

(18.8)

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