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The charset parameter of application/xml-dtd is handled the same as that of application/xml, as described in application/xml. Encoding considerations are the same as those for application/xml. Security considerations are the same as for text/xml. XML DTDs have proven to be interoperable by DTD authoring tools and XML browsers, among others. The published speci cation is the same as for text/xml. Applications that use this media type include DTD authoring tools that handle external DTD subsets as well as external parameter entities. XML browsers also may access external DTD subsets and external parameter entities. Finally, le extensions are .dtd or .mod, and the Macintosh le type code(s) is "TEXT".

of recording a good image in dim lighting, newer cameras offer an ISO control that adjusts the camera s light sensitivity. The ISO control settings typically match the ISO ratings on standard consumer films: ISO 100, 200, 400, and 800. The higher the number, the greater the camera s sensitivity to light. With a higher ISO film also called a faster film in photography lingo you can get a good exposure with less light. In bright light, the increased light sensitivity enables you to work with a smaller aperture (higher f-stop number) or faster shutter speed than when using a lower ISO film. If you re an experienced film photographer, you know that increased light sensitivity comes at a cost, however. As you move up the ISO scale, you increase grain a visual defect that looks like someone sprinkled sand over your photo. The same tradeoff exists with digital cameras, only in the digital world, the resulting defect looks like speckles of random color and is known as noise. You can see examples of how ISO affects both exposure and noise on Page 2 of the color insert. Figure 6.1 shows the detail from the ISO 100 and ISO 800 examples. The amount of additional noise produced when you increase ISO varies from camera to camera; your model may produce significantly more or less noise than what you see in these examples.

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FIGURE 6.1 Raising the ISO setting results in a brighter exposure but also introduces noise, giving the image a speckled look.

Well, there you have it a fully functional online application powered on the client side by Ajax technologies, and on the server side by PHP. The result is a photo gallery that is different than the run-of-the-mill web gallery application. It runs smoothly and efficiently, and can be easily implemented into any existing web application. The idea that a web application can be fluid and dynamic without having to reload the screen whenever you click a link is quite powerful and, in my opinion, rather fun to create and use.

How much image quality you should sacrifice for increased light sensitivity is purely a personal creative choice. As you debate the issue, keep these points in mind:

Shoot Like a Pro!

or years, web developers have been stuck with the notion of what a web page can and cannot do This mindset is based around technical limitations rather than lack of imagination; but over time this limitation has made many web developers become set in their ways Over time, technical limitations began to recede and be overcome by such advances in technology as scripting languages, style sheets, client-side languages (JavaScript, ActiveX), and, at long last, Ajax Ajax allows web developers to truly begin to once again think outside of the box In the last few months, I have seen more innovative applications created than I have since the inception of the Web However, while we now have a new way of doing business (so to speak) on the Web, a few problems have begun to arise First off, users are extremely used to the old way of doing things.

XML Schema Part 1 structures: http://www.w3.org/TR/xmlschema-1/ XML Schema Part 2 datatypes: http://www.w3.org/TR/xmlschema-2/ Metadata at W3C: http://www.w3.org/Metadata/

In aperture-priority AE, the camera changes shutter speed only; in shutter-priority AE, the camera adjusts aperture only. Remember that the camera can do only so much in this regard, however. If you re shooting in extremely dim lighting, you may not be able to record a good image at a low ISO even if the camera opens the aperture all the way and uses the slowest available shutter speed. (You may be able to brighten the exposure to an acceptable degree after the fact in your photo editor; for a brief lesson, see the upcoming How-To sidebar, Adjust Exposure with a Levels Filter. )

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