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The entity model looks nearly identical to the one seen in Figure 7-3, with the exception that the number 2 is appended to the entity names and the Mortgage entity no longer exists. One thing that is not different is that the Account2 entity is an abstract class. To add the Account2 entity, you can drag a new entity from the toolbox or you can follow the same steps that you saw in Figure 7-2. To make an entity abstract, such as the Account2 entity, you need to change the Inheritance Modifier property, as seen in Figure 7-6.

As Figure 11 1 shows, the Windows Phone development environment comes with five project templates. Let s take a look at each of these templates and find out the types of projects that they are most likely to be useful for. Try creating a project using each of the templates and experimenting with their functionality as you work through this section.

This is a general-purpose template that can be used as a basis for any type of application. It provides what essentially amounts to an empty but working environment, ready for further customization. Most of the other project templates provide a starting point based around a particular user interface approach. There is a high probability that the games you create will not need to use these approaches, so the basic Windows Phone Application template is likely to be the most suitable starting point for game development.

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You can blend most animation types together to create complex animations in your scene. The exception is that you cannot blend pose and morph animations together, nor can you blend multiple morph animations. The previous section covered the basics of blending pose animations, so we will not rehash that here. When blending vertex and skeletal animations (regardless of type), Ogre will calculate/blend the vertex animations first, and then apply the skeletal deformations to the blended vertices. The canonical application for blending pose and skeletal animation, to which we keep returning, is blending full-body skeletal animation with complex facial expressions for a realistically animated organic character. For example, you might animate the character s face vertices using pose animation, and the rest of the character (including the head mesh) using the more common (and more efficient) skeletal animation. Blending two or more skeletal animations together (usually just two) is most useful to create transitions between one animation and the next. For example, your character might be performing its run animation loop and then need to stop (or go into its idle animation). It would look rather awkward to complete the run loop and then instantly transition into its idle animation, so you can blend the two, gradually phasing out the run and phasing in the idle. Morph and skeletal animation blending is a good candidate for adding canned mesh deformation animations to a skeletally animated character or actor in your scene. For example, you could approximate the movement of a character s clothing with morph animation and blend the clothing animation with the character s actual skeletal movement, without having to endure the cost of actual real-time clothing simulation.

Figure 7-6. Setting the Inheritance Modifier to abstract Another significant difference with this technique for mapping inheritance is the actual mapping details. Because the Account2 class is abstract and does not have a physical table called Account2, it has to map to the Loan2 table. In Figure 7-7, you can see the UI mapping details for the abstract Account2 entity.

effect.Alpha = (float)ObjectColor.A / 255.0f; // Apply the transformation matrix effect.World = Transformation; // Now the effect is ready for the derived class to actually draw the object } This can then be easily used within a derived class to set the required effect properties before rendering. Listing 6 39 shows another piece of code from the TexturedSquareObject example class, this time for the Draw function. Listing 6 39. Drawing an object in a derived class public override void Draw(Microsoft.Xna.Framework.GameTime gameTime, Effect effect) { // Prepare the effect for drawing PrepareEffect(effect); // Draw the object foreach (EffectPass pass in effect.CurrentTechnique.Passes) { // Apply the pass pass.Apply(); // Draw the square effect.GraphicsDevice.DrawUserPrimitives(PrimitiveType.TriangleStrip, _vertices, 0, 2); } } This should all be looking very familiar. If you examine the TexturedSquareObject class as a whole, you will see that it has very little code present, but it still manages to render our textured object to the screen. There is, of course, no strict requirement to call PrepareEffect, and this work could instead be carried out directly within the derived class if necessary.

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